How Comics are Colored | Marvel’s the Art of Storytelling

Matthew Wilson breaks down hue, saturation, and value to solve color issues in comics. Use schemes like monochromatic, complementary, and triadic for dynamic, harmonious pages.

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47 thoughts on “How Comics are Colored | Marvel’s the Art of Storytelling

  1. If you want to learn more about drawing Marvel characters, coloring comics, and writing epic stories, check out the premium course “Marvel’s The Art of Storytelling.” The course is taught by Marvel artists where they walk you through the step-by-step process of creating a comic – https://proko.com/marvel

  2. This is a great video, but it doesn't really cover HOW you colored this Marvel comic. It's just going over Color Theory, which yes, is important, but seeing how you actually went in and colored it would've been more helpful to a lot of artists.

  3. I prefer a more realistic approach to color rendering and a more organic rendering, close to gouache or watercolor painting, with grain. This theoretical approach, while relevant, as presented here, is rather cold and unrealistic.

  4. This is extremely helpful! I was already familiar with color theory but I always struggled to apply it. So the example pages really helps understand how to put it into practice

  5. I’m curious. When you have a penciler, inker and colorist, do all three people communicate on the art after it gets penciled to trade ideas for inks and colors? Or do you just work in a silo?

  6. Sometimes I wonder why comics, don't do the same thing as manga, and ditch the colors (as much as I respect the profession of colorist) to make the prizes decrease. Maybe, it could make the sales go up, if the comics were cheaper ?
    Interesting video non the less 😁

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